Vladivostok Circus
Translated by Aneesa Abbas Higgins
Tonight is the opening night. There are birds perched everywhere, on the power lines, the guy ropes, the strings of light that festoon the tent … when I think of all those little bodies suspended between earth and sky, it makes me smile to remind myself that for some of them, their first flight begins with a fall.
Nathalie arrives at the circus in Vladivostok, Russia, fresh out of fashion school in Geneva. She is there to design the costumes for a trio of artists who are due to perform one of the most dangerous acts of all: the Russian Bar.
As winter approaches, the season at Vladivostok is winding down, leaving the windy port city empty as the performers rush off to catch trains, boats and buses home; all except the Russian bar trio and their manager. They are scheduled to perform at a festival in Ulan Ude, just before Christmas.
What ensues is an intimate and beguiling account of four people learning to work with and trust one another. This is a book about the delicate balance that must be achieved when flirting with death in such spectacular fashion, set against the backdrop of a cloudy ocean and immersing the reader into Dusapin’s trademark dreamlike prose.
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Publishing has a diversity problem. There are less 'diverse' books being published which limits the discoverability and reach of those authors.
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An anti-racist social enterprise bookstore specialising in BIPOC books.
Only about 11% of books published are by BIPOC authors — so unless you specifically seek out books by BIPOC authors, you aren't likely to find very many of them organically. At Amplify, BIPOC authors are highlighted and celebrated. Here, they don't have to fight to be seen, and you don't have to fight to find them.
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